Las óleos de todo James Peale


ID Image  Painting (From A to Z)       Details 
74405  
James Peale, Ambush of Captain Allan McIane
 
 Ambush of Captain Allan McIane   "The Ambush of Captain Allan McIane," oil on canvas, by American artist James Peale. Courtesy of the Utah Museum of Fine Arts. Date 1803 cyf
60031  
James Peale, Anna and Margaretta Peale
 
 Anna and Margaretta Peale   Anna and Margaretta Peale
60027  
James Peale, Fruits of Autumn
 
 Fruits of Autumn   James Peale's oil painting 'Fruits of Autumn'
60029  
James Peale, George Washington
 
 George Washington   George Washington
60026  
James Peale, Honolulu Academy of Arts
 
 Honolulu Academy of Arts   Still Life, oil on panel painting by James Peale, c. 1824, Honolulu Academy of Arts
67045  
James Peale, James Peal s oil painting Fruits of Autumn
 
 James Peal s oil painting Fruits of Autumn   Description James Peal's oil painting 'Fruits of Autumn'.jpg James Peale's oil painting 'Fruits of Autumn', 39.3 x 55.9 cm. Date ca. 1829
4268  
James Peale, Madame Dubocq and her Children
 
 Madame Dubocq and her Children   1807 J B Speed Art Museum
60032  
James Peale, Portrait of Margarette Peale
 
 Portrait of Margarette Peale   Portrait of Margarette Peale
72641  
James Peale, Portrait of William Young
 
 Portrait of William Young   "Portrait of William Young," oil on canvas, by the American artist James Peale. 1817(1817) cjr
74403  
James Peale, Portrait of William Young
 
 Portrait of William Young   English: "Portrait of William Young," oil on canvas, by the American artist James Peale. Date 1817 cyf
85129  
James Peale, Sir Peter Parker's Attack Against Fort Moultrie
 
 Sir Peter Parker's Attack Against Fort Moultrie   Medium Oil on canvas Dimensions 20 x 30 in (50.8 x 76.2 cm) cjr
79722  
James Peale, Still Life
 
 Still Life   oil on panel painting by James Peale, c. 1824, cyf
4269  
James Peale, Still Life Balsam Apple and Vegetables
 
 Still Life Balsam Apple and Vegetables   The Metropolitan Museum of Art, New York
4270  
James Peale, Still Life with Balsam
 
 Still Life with Balsam   25 in x 19
44064  
James Peale, Still Life: Balsam Apples and Vegetables
 
 Still Life: Balsam Apples and Vegetables   1820 Oil on canvas, 51,4 x 67,3 cm
72643  
James Peale, The Ambush of Captain Allan McIane
 
 The Ambush of Captain Allan McIane   "The Ambush of Captain Allan McIane," oil on canvas, by American artist James Peale. Courtesy of the Utah Museum of Fine Arts. 1803(1803) cjr
60030  
James Peale, The Artist and His Family
 
 The Artist and His Family   The Artist and His Family
96863  
James Peale, The Artist and His Family
 
 The Artist and His Family   oil on canvas. Courtesy of Pennsylvania Academy of Fine Arts. Date 1795(1795) cyf
71712  
James Peale, The Ramsay
 
 The Ramsay   James Peale's oil painting 'The Ramsay-Polk Family at Carpenterxs Point, Cecil County, Maryland, 125 x 100 cm. ca. 1793
60028  
James Peale, View on the Wissahickon
 
 View on the Wissahickon   View on the Wissahickon

James Peale
1749-1831 James Peale Galleries James Peale (1749 ?C May 24, 1831) was an American painter, best known for his miniature and still life paintings, and a younger brother of noted painter Charles Willson Peale. Peale was born in Chestertown, Maryland, the second child, after Charles, of Charles Peale (1709?C1750) and Margaret Triggs (1709?C1791). His father died when he was an infant, and the family moved to Annapolis. In 1762 he began to serve apprenticeships there, first in a saddlery and later in a cabinetmaking shop. After his brother Charles returned from London in 1769, where he had studied with Benjamin West, Peale served as his assistant and learned how to paint. Peale worked in his brother's studio until January 14, 1776, when he accepted a commission in the Continental Army as an ensign in William Smallwood's regiment. Within three months he was promoted to captain, and during the next three years fought in the battles of Long Island, White Plains, Trenton, Brandywine, Germantown, Princeton, and Monmouth. He resigned his army commission in 1779, and moved to Philadelphia to live with his brother. In 1782 he married, after which he established his own household and artistic career. (One notable later collaboration, however, was in 1788 to make floats for Philadelphia's Federal Procession in honor of the newly drafted United States Constitution.) At the outset of his career Peale painted portraits and still-life, and by the mid-1780s had established his reputation. At about this time, however, Charles turned over his own miniature portrait practice to him, and throughout the 1790s and early 1800s Peale devoted himself to miniature painting. Much of this work was watercolor on ivory. In 1795 Peale exhibited a still life of fruit along with nine miniatures and his family portrait at the Columbianum, a short-lived art academy in Philadelphia. Around 1810, as Peale's eyesight began to weaken, he gave up painting miniatures to turn to large portraits and still-life subjects that were greatly admired and widely exhibited in Philadelphia, Boston, and Baltimore. The total number of Peale's landscape paintings remains unknown, but he executed more than 200 watercolor miniatures on ivory, perhaps 100 still-life paintings, fewer than 70 oil portraits, and at least 8 history paintings. Peale died in Philadelphia on May 24, 1831. Three of his six children became accomplished painters: Anna Claypoole Peale (1798?C1871), a miniaturist and still-life painter; Margaretta Angelica Peale (1795?C1882), painter of trompe l??oeil subjects and tabletop fruit; and Sarah Miriam Peale (1800?C1885), a portraitist and still-life painter.



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